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09 May 12 at 1 pm

E-vapor-8

Curated by Francesca Gavin

May 05 2012 - May 18 2012


319 Scholes:

Rave is now positioned, aesthetically and aurally, as a proto universe for contemporary, technology-infused art. House and rave provided some of the first examples of defunct technologies being co-opted and reused by a younger generation for creative purposes. Computer-made graphics once used as rave visuals are now considered precursors to online experimentation. The processes of cut and paste, sampling and looping that were the basis of DIY electronic music are echoed in video editing techniques and online footage amalgams. Early house and rave culture provided a model of democratization of culture, just as contemporary visual artists consider their use of the internet now. The hedonistic drug references of the period are gone. The moment of mass cultural upheaval has passed. We are left with a sense of DIY utopia and the desire to create work that is immediate, sensorial, and at times simply fun.

E-vapor-8
Curated by Francesca Gavin
May 05 2012 - May 18 2012
♡

319 Scholes:

Rave is now positioned, aesthetically and aurally, as a proto universe for contemporary, technology-infused art. House and rave provided some of the first examples of defunct technologies being co-opted and reused by a younger generation for creative purposes. Computer-made graphics once used as rave visuals are now considered precursors to online experimentation. The processes of cut and paste, sampling and looping that were the basis of DIY electronic music are echoed in video editing techniques and online footage amalgams. Early house and rave culture provided a model of democratization of culture, just as contemporary visual artists consider their use of the internet now. The hedonistic drug references of the period are gone. The moment of mass cultural upheaval has passed. We are left with a sense of DIY utopia and the desire to create work that is immediate, sensorial, and at times simply fun.